They only transfer on a disk to disk copy. Michaels is correct, you'll have to manually transfer them. Surely I have to somehow read the codes, extract the audio and then manually re-enter the codes when making the disc? Have I misunderstood what you are saying?
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You seem to be suggesting that when I extract the audio that the resulting file will retain it's ISRC code which will then in turn be retained when I make the new disc. Ronny wrote on Wed, 11 January 2006 19:16
Luke Fellingham wrote on Wed, 11 January 2006 19:21 The old songs he shouldn't have to do anything with as far as the ISRC slot goes, except to make sure that the assigned ISRC's are still enabled on the burn. In Lukes case all that he has to do is add the new ISRC's to the songs that haven't had the numbers assigned yet and check to make sure the older songs still show the ISRC before burning the master. I've never run into an ISRC viewer that was inaccurate, if there is an ISRC already assigned it will show it, if not it's all zeros. I'm sure someone will post opinions regarding the pros/ cons/relevance of ISRC, but my point is that it is an item of content which your shop will (or will not) be including on the final master. I always get the client to sign off on the ISRC and CD TEXT stuff so it doesn't come back to get me at a later date. Most of the compilation work I've done has included ISRC documentation as part of the licensing agreement- if there was any doubt about the actual code the client usually would tell me to just leave it out.Īny time someone tells me to use what is there, but they don't know what that should be- I get a little uncomfortable. Once you do find a way to read the codes, I'd suggest you have your client "sign off" on them so there is no question later on.
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While I don't know the specific answer to your question (I'm running a Sequoia in PC land), I can offer this:Įven if you can read the codes lifted from these tracks, you (and apparently your client) have no way of knowing if the codes are accurate. Is there a way of reading the codes off of the discs? I assume they're not going to magically find their way into Waveburner after I've extracted and possibly processed the audio. "These songs should have their own code embedded in the track on the cd's you are lifting them from so there is no need to worry about these." With regard to the other tracks which have been licensed from other record companies the only info I've been given is: The record company has sent me ISRC codes for the new stuff, so that's straightforward. In a few days I am due to master an album containing some original tracks and some tracks taken from existing albums. Luke Fellingham wrote on Wed, 11 January 2006 13:49
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